was mary poppins filmed in color was mary poppins filmed in color

View Link, Quote as Flueckiger, Barbara (2012 ff. After the success of "Mary Poppins," Vlahos would go on to further develop and improve the chroma key process. [74], The newly constructed Walt Disney World Monorail System benefited from the film because of the profits the movie generated. I would like to start by making it clear that this article is in no way meant to discredit the costume designer of the film. The next day, a number of elderly, sour-faced nannies wait outside the Banks' home for Ellen to show them all in, but a strong gust of wind blows them away. an . However, Travers refused; she did not believe a film version of her books would do justice to her creation. She concluded that "With a little more restraint and a little less improvement on the original, the film's many charms would have been that much better."[48]. The most popular hairstyle for women of the Edwardian era was the pompadour style, as seen on the fictional Gibson Girl (a widely popular illustration of the feminine beauty ideal at the time). [23], Julie Andrews, who was making her feature film acting debut after a successful stage career, was given the prime role of Mary Poppins soon after she was passed over by Jack L. Warner and replaced with Audrey Hepburn for the role of Eliza Doolittle in his screen adaptation of My Fair Lady even though Andrews had originated that role on Broadway. [43] Whitney Williams of Variety praised the film's musical sequences and the performances of Julie Andrews and Dick Van Dyke, in particular. Mary Poppins (USA 1964, Robert Stevenson). Buena Vista Records released the original motion picture soundtrack in 1964 on LP and reel-to-reel tape. . Well, maybe Janelle Nelson. Contemporary Reception: Crowther, Bosley (1964): Screen. At the time, Andrews was playing Guenevere in the musical. The same light you see in street lamps. Though reviews met "Mary Poppins" with a dash. . Pre-production and song composition took about two years. After showing its capabilities in "Mary Poppins," other studios and filmmakers fought to use it. [30] In a 2003 poll by Empire magazine of the worst film accents of all time, he came in second. Mary Poppins was filmed at Walt Disney Studios in California, using painted backdrops, but many scenes were set in London locations, such as St. Paul's Cathedral and the Bank of England. [31] Van Dyke claims that his accent coach was the English (of Irish extraction) J. Pat O'Malley, who "didn't do an accent any better than I did". Mary Poppins is a 1964 American musical fantasy film directed by Robert Stevenson and produced by Walt Disney, with songs written and composed by the Sherman Brothers. Dawes Jr. was originally played by the late Arthur Malet in "Mary Poppins.". This method was first used in 1940 for the film "Thief of Baghdad" but it also came with many issues. Bridging the Gap Between Technology and Aesthetics, see press release of the University of Zurich and information on the University of Zurichs website. The directors were obviously going for 1960s makeup trends, because she is wearing way too much for this time period. "Mary Poppins" earned five Oscars in 1965. Feathers, flowers, and even taxidermy birds were popular hat toppings for women during this time, says fashion historian Bernadette Banner. Travers. With "Mary Poppins," Vlahos not only gifted generations of people with one of the most beloved classics of our time, but a legacy that can make all of our wildest imaginations come true. Its important to note that decades of womens fashion are defined by the silhouettes of the dresses they wore during that period. Sometimes historical accuracy in costumes could have been the designers intention, but the artistic vision of the director and sometimes even the actors themselves can often override these decisions. Before her death in 1996, Travers allowed the creation of the "Mary Poppins" stage production produced by Sir Cameron Mackintosh. Mary Poppins (1964) - Turner Classic Movies Mary Poppins Brief Synopsis Read More Two banker's children lose their nanny due to her frustration with them. Were going to review the look most popularly associated with this character and break down the elements that the costume designer got right and wrong when designing these historically accurate costumes. Also, all Walt Disney World Railroad steam locomotives are fitted with a boiler safety device marked "MAPO. Hats in the Edwardian period for women in the upper middle class were often wide-brimmed like the one Mary is wearing, but were adorned with much more decoration. As Mr. Banks says during one of his songs, the film takes place in 1910 in England, towards the end of the Edwardian era. The next day at the bank, the children meet the elderly Mr. "[47] Ann Guerin of Life criticized the creative departures from the novels, particularly the "Jolly Holiday" sequence. Mary Poppins, American musical film, released in 1964, that features the now-iconic screen debut of Julie Andrews. The children ask their father to help them build a better kite, but he dismisses them. Project Leader and Principal Investigator: Prof. Dr. Barbara Flueckiger, [emailprotected], Dr. Evelyn Echle, Scientific Research Manager [emailprotected], BSc Gaudenz Halter, Software Development Color Film Analyses, video annotation und crowdsourcing platform VIAN, in collaboration with Visualization and MultiMedia Lab of Prof. Dr. Renato Pajarola, University of Zurich, (Enrique G. Paredes, PhD; Rafael Ballester-Ripoll, PhD) since 07.2017, BSc Noyan Evirgen,Software Development, in collaboration with Visualization and MultiMedia Lab von Prof. Dr. Renato Pajarola, Universitt Zrich (Enrique G. Paredes, PhD; Rafael Ballester-Ripoll, PhD), 03.201701.2018, BA Manuel Joller, BA Ursina Frh, BA/MA Valentina Romero, Prof. Dr. Barbara Flueckiger,[emailprotected], MA Noemi Daugaard, PhD Candidate, [emailprotected] Because of this, some important elements can get lost in portraying fashions with historical accuracy in movies. She meets the children and helps them magically tidy their nursery by snapping her fingers, before heading out for a walk in the park ("Spoonful of Sugar"). On October 4, 1988, it was re-released as part of Walt Disney Home Video. [26], Andrews also provided the voice in two other sections of the film: during "A Spoonful of Sugar," she provided the whistling harmony for the robin, and she was also one of the Pearly singers during "Supercalifragilisticexpialidocious." "Bob and I spent two and a half years writing 34 songs, many for sequences that were never used, since we didn't have a final script to work to," Richard told The Guardian. Even by today's standards, it's difficult to find a fault. Creating the Disney sequel 'Mary Poppins Returns' represented a fresh challenge for director Rob Marshall and his production designer. According to the New Yorker, Travers cried while watching the premiere of the movie. Credit: Library of Congress. Read more about the financial background of the project on filmcolors.org. Although she had appeared in TV movies and on shows, and she voiced a character in an animated film, "Mary Poppins" was Andrews' first major live-action movie. While the children ride on a carousel, Mary Poppins and Bert go on a leisurely stroll. The publication is also available in German, Edited by Barbara Flckiger, Eva Hielscher, Nadine Wietlisbach, in collaboration with Fotomuseum Winterthur It was the top-grossing film of 1964, with around $31 million, and the profits helped finance the construction of Walt Disney World in Florida. Among other wins, Andrews won for best actress and the Sherman brothers won for their hit songs. comment. Mr. Dawes aggressively urges Michael to invest his tuppence in the bank, ultimately snatching the coins from Michael ("Fidelity Fiduciary Bank"). The Student Newspaper for Montrose School. The film's composers, Richard and Robert Sherman, are often credited with the creation of the word, and they have said they made it up. Echa un vistazo a estas pginas para colorear inspiradas en la pelcula de Disney El regreso de Mary Poppins! Mary Poppins is a classic. It was the role that launched her illustrious film career. For more than 20 years, Disney periodically made efforts to convince Travers to allow him to make a Poppins film, which included making visits to Travers' home in Chelsea, London. [40], Mary Poppins premiered on August 27, 1964, at Grauman's Chinese Theatre in Los Angeles. Mr. Banks then gets a phone call from the bank requesting a meeting with him about what the children did. As an avid Disney and fashion history fan, its no surprise that I love the studios period films. After the duo meets up with the children, Mary Poppins enchants the carousel horses; Bert rescues a fox from a fox hunt; they take part in a horse race which Mary wins. Disney's monorail system pays homage to this film by naming the MAPO (MAry POppins) safety system included on all Disney monorails. Over 100 glass and matte paintings were used to create the London skyline of 1910. During the "Jolly Holiday" sequence, the three singing Cockney geese were all voiced by Marni Nixon, a regular aural substitute for actresses with substandard singing voices. A man with multiple heads. Chim Chim Cher-ee in "Mary Poppins" Music and Lyrics by Richard M. Sherman and Robert B. Sherman Nominees. We are updating these detail pages on a regular basis. But utmost sophistication (the chimney pot sequence crisply cut by Oscared "Cotton" Warburton) and high-level invention (a tea party on the ceiling, a staircase of black smoke to the city's top) characterized its handling. [52] It was one of the top 12 grossing films in the United States for 32 weeks. Enjoy! [1][2] Travers was not extended an invitation to the event, but managed to obtain one from a Disney executive. The three and Mary Poppins venture onto the rooftops, where they have a song-and-dance number with other chimney sweeps, which spills out into the Banks' home ("Step in Time") after their neighbor Admiral Boom shoots cartoon fireworks at them, mistaking them for robbers and calling them "cheeky devils". A lot in animation has changed in the 54 years since Mary Poppins and a gaggle of dancing penguins blew young viewers' minds in 1964. This is the Recorded Tape of Mary Poppins as someone's recorded this film in the 90s somewhere! Michael demands them back; other customers overhear the conflict, and they all begin demanding their own money back, causing a bank run. Mary Poppins is considered Walt Disney's crowning live-action achievement and is the only one of his films which earned a Best Picture nomination during his lifetime. This created a crisp, clean image and even allowed the partially transparent veil of Mary Poppins's costume to let through light from the background. In 1998, this film became Disney's first feature film released on DVD. Especially for one particular sequence, where live-action footage merges with Disney's classic hand-drawn animations for over 16 minutes. Follow the links Access detailed information to access the currently available detail pages for individual processes. style and short length, not to mention the fact that it gathers at her waist and not her hips. Cosmetics such as eyeshadow, eyeliner, and lipstick wouldnt even become widely available for another 10 years, so it makes little sense that she is wearing them in this look. Hats in the Edwardian period for women in the upper middle class were often wide-brimmed like the one Mary is wearing, but were adorned with much more decoration. A very slim petticoat would be worn over this, and then a narrow skirt would be put on last. [24] When Disney first approached Andrews about taking on the role, Andrews was three months pregnant and therefore was not sure she should take it. In addition to his leading role as Bert, the jovial chimney sweep, Dick Van Dyke appeared in the film as Mr. Dawes Sr. under the acting credit "Navckid Keyd.". On the review aggregator website Rotten Tomatoes, the films holds a 96% rating, based on 55 reviews with an average rating of 8.4/10. Before we dive into Mary Poppins clothing, we need to establish a time period and setting to investigate whether her look is accurate or not. The creators definitely took some modern creative liberties with this dress. Well, he got rid of the blue screen. Las mejores ofertas para GAF View-Master - Walt Disney Mary Poppins - 3 carretes buen color estn en eBay Compara precios y caractersticas de productos nuevos y usados Muchos artculos con envo gratis! Find many great new & used options and get the best deals for Mary Poppins Practically Perfect in Every Way Shirt Disney Her Universe XL/NWT at the best online prices at eBay! . Mr. Dawes mulls over the joke and, finally understanding it, floats up into the air, laughing. But "Mary Poppins Returns," Disney's movie-musical sequel to the beloved 1964 Julie Andrews classic opening Wednesday, is Miranda's first major film role. Jane and Michael flee the bank, getting lost in the East End of London until they again meet up with Bert, now working as a chimney sweep, who escorts them home ("Chim Chim Cheree"). That was really hard. Mary Poppins (film) A magical English nanny, Mary Poppins, arrives at the home of Mr. and Mrs. George Banks, facing the park at No. And that red corset-like waist cincher has no place being there either, as it gives an hourglass figure to her silhouette rather than an S shaped one. The film was awarded the Academy Award for Best Visual Effects in 1965 for this effect.[35]. George Pelling as Bloodhound, Reporter #1, David Tomlinson as Penguin Waiter, Jockey, Race Track Stewards, Mary Poppins' Parrot Umbrella, The penguin waiters and a silhouette of Mary Poppins appeared in, This page was last edited on 4 March 2023, at 11:43. ("Perfect Nanny") Winifred (who strongly agrees with the children) tries to keep the peace. The color blue was selected mainly because it was a color farthest from the skin tone. Without Disney's gamble and Vlahos' ingenuity and innovation, we might have never seen "Mary Poppins" on the silver screen, not to mention films like "Star Wars" or "Jurassic Park." Please contact the author immediately and directly should anything infringe a copyright nonetheless. In addition to Julie Andrews' Oscar for best actress, the film won the awards for best editing, best special visual . Travers, like Pamela in Saving Mr. Banks, insisted that the movie adaptation of Mary Poppins not include the color red. Mary Poppins Returns film location: Jack sits atop the gate: Devereux Court, Middle Temple, London EC4 Having to make their own way home on foot, Mary and the kids end up lost in the fog and the dark. Mr. and Mrs. Banks return to home to find Bert's friends dancing in their home and sends them away. [17] She objected to a number of elements that made it into the film. Thematic clusters focus on aesthetic and technological parallels, including fashion and identity, abstraction and experiment, politics, exoticism, and travel. Travers, and the Battle Over Mary Poppins - Part One", "Julie Andrews Recalls Making 'Mary Poppins', "Super-Cali-Fragilistic-Expial-Atrocious", "BBC NEWS UK Magazine How not to do an American accent", "Dick Van Dyke sorry for 'atrocious cockney accent' in Mary Poppins", "How the original 'Mary Poppins' transformed the way movies are made today", https://www.surfandsunshine.com/pete-menefee-mary-poppins/, "Mary Poppins songwriter 'thrilled' at Proms singalong", "Walt Disney's Mary Poppins (Original Cast Soundtrack)", "The 37th Academy Awards (1965) Nominees and Winners", "BAFTA Film Most Promising Newcomer To Leading Film Roles in 1965", "1964 New York Film Critics Circle Awards", "Film Hall of Fame Inductees: Characters", "P.L. The development of the project started in fall 2011 with stage 1. Karen Dotrice, played Jane Banks. Mary Poppins Returns The 2018 movie Mary Poppins Returns is set 24 years after Mary Poppins, at a time of financial crisis. The Edwardian era, spanning from 1901 to 1910, marked the end of the Victorian era and the beginning of the first world war. National Film Board of Canada. Mary wears two toned leather boots, which were actually quite a popular choice at the time. George Mlis, one of the first pioneers in visual effects used a technique known as double exposure mattes to achieve this feat over a hundred years ago. There are many problems with the accuracy of this look. Photographs of the Technicolor V dye-transfer safety print by Jolle Kost, ERC Advanced Grant FilmColors. Next, lets move onto her hat. 'Mary Poppins' was our magnum opus.". In 2004, the Los Angeles Times reported that Disney offered Andrews one of her most iconic roles after seeing her in "Camelot" on Broadway. But instead of hiring a special effects artist for the job, Disney instead asked for help from the engineer and inventor Petro Vlahos. The isolated subjects would then be placed on top of a pre-shot background known as a plate to create a single seamless image. This is a scene from "Mary Poppins," a 1964 classic directed by Robert Stevenson. Fully aware of its limitations, he sought for another color to replace it. Suffragettes began to adopt some male attire as they fought for the right to vote (Mrs. Banks is wearing something like this in the film, as she is actually portrayed as a Suffragette), and most middle class women even began making their own clothing with the new availability of sewing machine technology. And all of a sudden, we get out and were on a cobblestone street and theres supposed to be four of us tumbling right next to each other, and you put the broom down. Uncle Walt, as I called him, was determined that although I was an eight-year-old working on a film, I should still have a magical time. Made on an estimated budget of $4.46million,[5][58][59] it was reported by Cobbett Steinberg to be the most profitable film of 1965, earning a net profit of $28.5million. She noted that "Some of the sequences have real charm, and perhaps the kids will eat them up. The outing is ended when a thunderstorm dissolves Bert's drawings, returning the group to London; upon their return home, Mary forces the children to take medicine to avoid getting sick and puts them into bed, when Jane and Michael refuse to go to sleep, she calmly sings to them to help them go to sleep quicker ("Stay Awake"). Kisses for My President. The first novel in the Mary Poppins series was the film's main basis. It ended up taking home the award for best scenic design of a musical. Technologies, Cultures, Institutions funded by a grant from Swiss National Science Foundation. [7], Mary Poppins was released on August 27, 1964, to critical acclaim and commercial success. Marshall recalled Andrews' response, saying, "She made it clear right up front. [57], The film was very profitable for Disney. Disney responded, "Pamela, the ship has sailed" and walked away.[20]. From the whimsical and fun story to the colorful animation sequences, the almost 60 year old film is a classic. of volume and fluffiness. The earliest written record of a variant of the word is in a 1931 newspaper column by Helen Herman, and another close variant was used by a different group of songwriters in 1949. Mary Poppins, the first novel in a series of children's books written by P.L. Color Mania contains a general introduction to color in film and photography (technique, materiality, aesthetics) as well as a series of short essays that take a closer look at specific aspects. $45.00 + $5.50 shipping. [34], The scene in which Mary Poppins and Bert interact with a group of animated penguins is noted for its use of the sodium vapor process. E-mail to Barbara Flueckiger, founder and project leader of Timeline of Historical Film Colors, Thank you very much for your financial contribution! Unfortunately, they weren't tears of joy. Dick Van Dyke is an American actor and comedian whose career took off after starring in 'The Dick Van Dyke Show.' Some of his most endearing film roles were in 'Mary Poppins,' 'Chitty, Chitty . It became the highest-grossing film of 1964 and, at the time of its release, was Disney's highest-grossing film ever. A special camera was fitted with a prism that filtered this light to a separate reel of film, creating a highly accurate matte that could be used to isolate the actors from the background. Starring as Jane and Michael Banks in "Mary Poppins" was not the first or last time Karen Dotrice and Matthew Garber worked together. The scene you're about to watch is perhaps one of the most important and influential sequences in the history of cinema. Apart from these fundamental connections in terms of the technology of color processes, film and photography also share and exchange color attributions and aesthetics. El regreso de Mary Poppins. Ella utiliza su peculiar estilo de vida . All the members of the two research projects on film colors, both led by Barbara Flueckiger, have been capturing photographs of historical film prints since 2017. This simplified the process of creating a more accurate matte, the silhouette image that's vital to the process. ", She said after two weeks of trying to switch up the flavors, the prop guys "just gave up.". Please use the Stripe interface to pay conveniently online. In addition, the Institute for the Performing Arts and Film, Zurich University of the Arts provided a major contribution to the development of the database. Seller assumes all responsibility for this listing. The most popular hairstyle for women of the Edwardian era was the pompadour style, as seen on the fictional, (a widely popular illustration of the feminine beauty ideal at the time). Get Free Mary Poppins Script Pdf For Free . Rather than using the more common bluescreen process to insert the actors into the animated footage, the actors were filmed against a white screen lit with sodium vapor lights, which have a yellow hue. This was the inspiration for the famed song in "Mary Poppins," according to writer Joe Schwarcz's article on the history of the phrase "spoonful of sugar" that was published on McGill University's Office for Science and Society. They were a practical shoe that was worn during the day for casual strolling, or working, so her shoes are definitely accurate for this occasion. 1 Nomination. By shrinking the range of wavelengths, Vlahos knew he could greatly improve the accuracy when isolating a subject. But speaking as a grownup, I found a little bit went a long way." It's easy to overlook the grim setting when you're a kid, but as an adult, you realize that the London the Banks family lives in is actually pretty dismal. En . It's a film often regarded as Walt Disney's crowning live-action achievement, being the only Disney film to. So fervent was Travers' dislike of the Disney adaptation and of the way she felt she had been treated during the production that when producer Cameron Mackintosh approached her about the stage musical in the 1990s, she acquiesced on the conditions that he use only English-born writers and that no one from the film production be directly involved.[75]. For this reason, Vlahos is often regarded as the man who made the modern blockbuster possible. This publication highlights material aspects of color in photography and film, while also investigating the relationship of historical film colors and present-day photography. Please access detailed information on over 250 individual film color processes via the classification system on this page, display the Timeline of Historical Film Colors in chronological order, search via the tag cloud at the end of this page or directly on the search page, or see the contributing archives collections on the header slides. 17, Cherry Tree Lane in London, to the delight of their young children, Jane and Michael. [6], The film was the twentieth most popular sound film of the twentieth century in the UK with admissions of 14 million. Mary Poppins, the hit 1964 film turned Broadway musical starring Julie Andrews, is notably one of my favorites. . Furthermore, in his review, he remarked that "For the visual and aural felicities they have added to this sparkling color filmthe enchantments of a beautiful production, some deliciously animated sequences, some exciting and nimble dancing and a spinning musical scoremake it the nicest entertainment that has opened at the Music Hall this year. David Tomlinson, who played Mr. Banks, was also the voice of Mary Poppins' talking umbrella, according to Brothers' Ink Productions. Color: Black. But it's this overlooked achievement that helped "Mary Poppins" change the course of film history forever. On July 4, 2000, it was released on VHS and DVD as part of the Gold Classic Collection. The dress she is wearing has the new look silhouette, popularized by Christian Dior in 1947, and lasting in fashion until the mid 1960s. GENDER AND RACE The first section employs film theory, semiotics and film music analysis to explore the animated works and their links to the musical theatre genre. Mary Poppins. Mary Poppins is a 1964 American musical fantasy film directed by Robert Stevenson and produced by Walt Disney, with songs written and composed by the Sherman Brothers. Mary Poppins (1964) was his plum. The dress bodice, though frilly, is much too tight for this time period, because sleeves were rather loose during this era in fashion. Many further persons and institutions have supported the project, see acknowledgements. The composer said he got emotional over Andrews' rendition of the song. The children overhear the phone call and realize that their father is in trouble. Get the latest film news, film reviews, movie trailers, cinema and essential new releases from around the world. Were going to review the look most popularly associated with this character and break down the elements that the costume designer got right and wrong when designing these historically accurate costumes. He did it by putting a glass panel in front of the camera and painting black marks over specific sections to block the light. I was crying because she was articulating the whole essence of the movie which was about the power of love," he told The Guardian. The Material of Color in Photography and Film, Department of Film Studies, University of Zurich, crowdfunding campaign Database of Historical Film Colors, contact the author immediately and directly, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, http://zauberklang.ch/acknowledgements.html, Prof. Dr. David Rodowick, Chair, Harvard University, Department of Visual and Environmental Studies, Prof. Dr. Margrit Trhler, Department of Film Studies, University of Zurich, Prof. Dr. Jrg Schweinitz, Department of Film Studies, University of Zurich, Prof. Dr. Christine N. Brinckmann, Department of Film Studies, University of Zurich, PD Dr. Franziska Heller, Department of Film Studies, University of Zurich, Dr. Claudy Op den Kamp, Department of Film Studies, University of Zurich, Prof. Anton Rey, Institute for the Performing Arts and Film, Zurich University of the Arts, Dr. Haden Guest, Director, Harvard Film Archive, Liz Coffey, Film Conservator, Harvard Film Archive, Mark Johnson, Loan Officer, Harvard Film Archive, Brittany Gravely, Publicist, Harvard Film Archive, Clayton Scoble, Manager of the Digital Imaging Lab & Photography Studio, Harvard University, Stephen Jennings, Photographer, Harvard University, Fine Arts Library, Dr. Paolo Cherchi Usai, Senior Curator, George Eastman Museum, Motion Picture Department, Jared Case, Head of Cataloging and Access, George Eastman Museum, Motion Picture Department, Nancy Kauffman, Archivist Stills, Posters and Paper Collections, George Eastman Museum, Motion Picture Department, Deborah Stoiber, Collection Manager, George Eastman Museum, Motion Picture Department, Barbara Puorro Galasso, Photographer, George Eastman House, International Museum of Photography and Film, Daniela Curr, Preservation Officer, George Eastman House, Motion Picture Department, James Layton, Manager, Celeste Bartos Film Preservation Center, Department of Film, The Museum of Modern Art, Mike Pogorzelski, Archive Director, Academy Film Archive, Josef Lindner, Preservation Officer, Academy Film Archive, Cassie Blake, Public Access Coordinator, Academy Film Archive, Melissa Levesque, Nitrate Curator, Academy Film Archive, Prof. Dr. Giovanna Fossati, Head Curator, EYE Film Institute, Amsterdam, and Professor at the University of Amsterdam, Annike Kross, Film Restorer, EYE Film Institute, Amsterdam, Elif Rongen-Kaynaki, Curator Silent Film, EYE Film Institute, Amsterdam, Catherine Cormon, EYE Film Institute, Amsterdam, Anke Wilkening, Friedrich Wilhelm Murnau Foundation, Wiesbaden, Germany, Marianna De Sanctis, LImmagine Ritrovata, Bologna, Paola Ferrari, LImmagine Ritrovata, Bologna, Gert and Ingrid Koshofer, Gert Koshofer Collection, Bergisch Gladbach, Germany, Memoriav, Verein zur Erhaltung des audiovisuellen Kulturgutes der Schweiz, David Landolf, Director, Lichtspiel / Kinemathek Bern, Brigitte Paulowitz, Head Archivist and Restorer, Lichtspiel / Kinemathek Bern, Margaret Bodde, Executive Director, The Film Foundation, Michael Champlin, DeBergerac Productions, Inc. Rochester, NY, Joakim Reuteler, Digital Humanities Lab, University of Basel, Prof. Dr. Rudolf Gschwind, Director, Imaging and Media Lab, University of Basel, Erwin Zbinden, Researcher, University of Basel, George Willeman, Nitrate Film Vault Manager, Library of Congress, Lynanne Schweighofer, Safety Film Vault Manager,Library of Congress, David Pierce, Library of Congress, Assistant Chief, Library of Congress, Kieron Webb, Technical Projects Officer, British Film Institute, Bryony Dixon, Silent Film Curator, British Film Institute, Dr. Jan-Christopher Horak, Director, UCLA Film & Television Archive, Todd Wiener, Motion Picture Archivist, UCLA Film & Television Archive, Dr. Cline Ruivo, Director Film Collections, Cinmathque Franaise, Dr. Iris Deniozou, Archivist, Cinmathque Franaise, Nicola Mazzanti, Associate Director, Royal Film Archive of Belgium, Laurent Mannoni, Directeur scientifique du patrimoine et du Conservatoire des techniques, Cinmathque franaise, Franois Ede, Researcher and Film Restorer, Andrea Meneghelli, Cineteca di Bologna, Archivio Film, Alessandra Bani, Cineteca di Bologna, Archivio Fotografico, Hege Stensrud Hsien, Director, National Library of Norway, Dr. Eirik Frisvold Hanssen, Head of Film and Broadcasting Section, National Library of Norway, Tina Anckarmann, Film Archivist, National Library of Norway, Prof. Martin Koerber, Leiter der Abteilung Film, Deutsche Kinemathek, Brian Pritchard, Motion Picture and Film Archive Consultant, Bertrand Lavdrine, Centre de Recherche sur la Conservation des Collections Paris, Mikko Kuutti, Deputy Director, Kansallinen audiovisuaalinen arkisto / National Audiovisual Archive, Finland, Juha Kindberg, Film Collection, Kansallinen audiovisuaalinen arkisto / National Audiovisual Archive, Finland, Dr Kelley Wilder, Senior Research Fellow, De Montfort University, Michael Harvey, Curator of Cinematography, National Media Museum, Bradford, Ruth Kitchin, Collections Assistant, National Media Museum, Bradford, Kathryn Gronsbell, Moving Image Archiving & Preservation, NYU, Gisela Harich-Hamburger, Photo Conservator, Dr Luke McKernan, Lead Curator, Moving Image, The British Library, Dr Michael Pritchard FRPS, FBIPP, Director-General, The Royal Photographic Society, John Falconer, Lead Curator Visual Arts, Curator of Photographs, The British Library, Dr. Anna Batistov, Nrodn filmov archiv / National Film Archive, Prague, Lenka astn, Nrodn filmov archiv / National Film Archive, Prague, Toni Booth, Curator, National Science and Media Museum, Bradford, Sylvie Pnichon, Conservator of Photographs, Amon Carter Museum of American Art, Gawain Weaver, Photograph Conservator, Gawain Weaver Art Conservation, San Anselmo, CA, Phil Rutter, Hon Treasurer & Secretary, British Kinematograph, Sound & Television Society, Manuel Joller, coordinator data management, Barbara Fritzsche, support data management, Andreas Bhlmann, support data management, Michelle Beutler, support data management, Sabrina Zger, coordinator data management, Valentina Romero, support data management, Meredith Stadler, support data management, Hannes and Esther Bernhardt, grand supporters, Marianne Flckiger Bsch and Bernhard Bsch, major supporters, Dariush Daftarian and Viola Lutz, supporters, Joanne Bernardi, Associate Professor, University of Rochester.